Greubel Forsey: Master of Invention
A symphony in the tune of a tourbillon.
Even by the rarefied standards of high-end independent watchmaking, where obsession with detail and a highly personal vision for a timepiece are the norm, Greubel Forsey remains a watchmaker like no other. The company produces only a handful of watches each year, and each one is significantly different from any high quality watches replica produced by any other company or watchmaker. Among collectors and enthusiasts, Greubel Forsey is best known for its tourbillon watches—it has been at the forefront of innovation in tourbillon design since its inception—but the company also creates high-complication watches. functions, including the Grande Sonnerie. chimes and quarter-hours) and a perpetual calendar with equation of time.
However, in horology, as in many other fields, it’s not just what you do, but how you do it, and it’s here that Greubel Forsey really stands out (not that making multi-axis tourbillons Not a good way to start). Greubel Forsey watches have the elusive but important ability to be instantly recognizable, even in poor lighting and in crowded rooms. This is partly down to the overall size and design of the watches – they’re visually striking from the get-go and often have large enough cases designed to give the watchmaking industry some breathing room. But this is also due to the architecture of the movement itself.
For most of the history of watchmaking, movements have been hidden beneath dials and within watch cases with solid casebacks – being able to see and appreciate a watch movement is a modern phenomenon, which is why you’ll see relatively Less quartz movement period watches with display backs. However, as the mechanical watchmaking industry began to regenerate after the so-called Quartz Crisis of the 1970s, interest began to develop in experiencing the movement as part of the experience of owning a mechanical high quality replica watches.
Greubel Forsey watches take this fascination with watch mechanics to its logical conclusion. Enthusiasts often talk about movement “architecture,” but for Greubel Forsey, “architecture” is less a metaphor than a simple statement of fact. Their movements are clearly visible under the sapphire crystal, giving the impression of a micro-mechanical city – for many years, the standard goal in Greubel Forsey movement design was not to pursue flatness, but to achieve an absolutely three-dimensional movement, giving One gets the impression that the owner has a self-sufficient mechanical world on his wrist. This characteristic of Greubel Forsey watches, coupled with an almost unbelievable high level of hand finishing, has made Greubel Forsey watches from the beginning among loyal fans of ultra-high-end timepieces Enjoy a great reputation.
Greubel Forsey is named after its two founders: Stephen Forsey and Robert Greubel. Forsey is an Englishman who studied watchmaking at the prestigious WOSTEP (Swiss Watchmakers Training and Education Programme) in Neuchâtel, Switzerland, then worked in the restoration department of Asprey’s in London, and finally at Swiss complication specialists Renaud & Papi , located in Le Locle (one of the main Swiss watchmaking centers for decades). It was there that he met Robert Greubel, a French watchmaker from Alsace who, after a spell at IWC, came to work for Renaud & Papi, where he was involved in the company’s pioneering Grande Complication of 1990. Chronometer – minute repeater, perpetual calendar, chronograph watch, perpetual calendar with four-digit year display.
In the late 1990s and early 2000s, Renaud & Papi was something of a finishing school for emerging independent watchmakers. Gopper and Fossey were part of a long line of young maverick horologists who went on to have distinguished careers, including Andreas Strehler, Groenefeld The Grönefeld brothers, Anthony de Haas of A. Lange & Söhne and Carole Forestier-Kasapi (who designed The final watch) became Ulysse Nardin Freak, current movement director of TAG Heuer).
The company allowed young, talented, imaginative and ambitious watchmakers to quickly gain experience in complex watchmaking. In 2001, Stephen Forsey and Robert Greubel left to start their own company – a complex watchmaking company called CompliTime. Functional Experts Inc. With the mechanical renaissance in full swing and the age of superwatches (the collective name given to major, topical, high-end complex watches by enthusiasts, the first of which was the Ulysse Nardin Freak), the pair saw this as an auspicious moment. It’s also time to launch your own brand. In 2004, Greubel Forsey launched its first watch: the Double Tourbillon 30°.
New changes in tourbillon
The Double Tourbillon 30° was Greubel Forsey’s first attempt to solve a specific horological problem that still fascinates the company to this day. This problem is related to the problem that the tourbillon was originally intended to solve.
Tourbillons are not ubiquitous, but they are more widely manufactured today than at any time in history, and a visible rotating tourbillon cage is a mainstay of modern high-end watchmaking, almost a requirement. If you are a haute horlogerie brand, it is almost unthinkable to not have a tourbillon in your collection. However, most luxury replica watches tourbillons have not significantly updated the fundamentals of their design since their invention.
The inventor of the tourbillon is the famous watchmaker Abraham-Louis Breguet (Breguet has been running it since the founder established his own workshop in Paris in the years before the French Revolution, albeit through several ups and downs) Rain. ) Breguet was a tireless and ingenious innovator who deserves credit for many of his innovations, but he is almost certainly best known for his tourbillon.
One of the most fundamental problems in watchmaking is that, unlike clocks, watches occupy different positions throughout the day. In the Breguet era, pocket watches were usually in one of two basic positions: various vertical positions, in a pocket, or flat on a table at night while the owner slept. Due to the effect of gravity on the balance wheel, hairspring and escapement, the watch operates at slightly different rates in different positions, which in turn reduces accuracy. Breguet’s insight was that if the actual timing elements (balance wheel, hairspring and escapement) were placed inside a rotating cage, there would be an average rate across all vertical positions. Then you just need to adjust the rate in the vertical position to match the rate in the flat position and in theory you should have a perfect timer.
The manufacture of tourbillons has been very challenging for most of its history because the frame, due to its inertia, requires more power from the mainspring and therefore has to be as light as possible. The idea is sound, but it requires a lot of skill on the part of the watchmaker to use the tourbillon to its full potential. And, most importantly, the tourbillon was originally conceived for a pocket replica luxury watches– in a wristwatch, many of its advantages are lost, since on the wrist the watch is not just in a vertical or horizontal position, but in a variety of positions. The same goes for the middle position, where all rates have slight variations.
This is where the Double Tourbillon 30° comes into play.
To put it mildly, the Double Tourbillon 30° is not a traditional tourbillon. There are two tourbillon cages or cages instead of one – the inner cage rotates every sixty seconds and the outer cage rotates every four minutes (the traditional rotation speed of a tourbillon is one minute, but there are tourbillons with different speeds). —For example, Breguet himself made a four-minute tourbillon). That’s why the Double Tourbillon 30° is called a “double tourbillon” – it has two cages, one rotating inside the other, and the two cages rotate at different speeds.
But the really decisive fact is that the balance axis is not directly on the vertical axis of the movement (as is almost always the case with tourbillons, and also with traditional watches). Instead, it’s offset from the vertical axis by—you guessed it—thirty degrees.
The double tourbillon 30° design ensures that no matter what position the watch is in, the regulating mechanism is never in any of its most extreme positions for more than a moment. The greatest rate deviations in a watch occur between completely flat and completely vertical positions, and since the tourbillon never spends more than a fraction of a second in either position, the most extreme rate deviations are avoided. (Greubel Forsey was not the first to make a tilt-balance tourbillon—American watchmaker AH Potter made a tourbillon in 1860, but it was not a double tourbillon, although it is still an impressive piece. Amazing watchmaking work).
There were tourbillon watches before the Double Tourbillon 30°, and they’re older than you might think – for example, Patek Philippe replica produced a tourbillon watch for the Observatory Chronometer Competition in 1945 (the The watch was cased in 1983 and worn by Philippe Stern as his personal watch.) Omega had produced tourbillon watches as early as the 1940s (also a dozen used in observatory competitions). tourbillon watch). But the Double Tourbillon 30° is the first tourbillon watch designed specifically for everyday watch wearing conditions, and as such, not only from an aesthetic point of view, but also from the broader history of watchmaking and horology, it is A watch of great significance.
The Double Tourbillon 30° is an extremely beautiful watch – the rotation of the two tourbillon cages, one within the other, is mesmerizing – but as with any mechanism designed to increase precision, the problem is that “it works” ” It’s difficult to generalize between tourbillon and non-tourbillon watches, but it’s worth noting that in 2011, the Double Tourbillon 30° won the Concours de Chronométrie (a precision competition that is no longer held). Achieved the highest score of 915. 1,000 possible points.
Design and finishing
It often surprises watch enthusiasts that historically one of the most striking distinguishing features of high-end watches is something that, in many cases, the owner will never see: movement finishing. Traditional movement finishing is done by hand, but finishing techniques can also be replicated by machine.
Movement finishing familiar to most collectors and enthusiasts is a style developed in Swiss watchmaking during the 19th and 20th centuries. A watch movement is made of basic materials: brass, steel, and the stones used to run the gears. Hand-finishing a watch movement is not functionally necessary, but it is an important part of elevating a movement from machine to mechanical art.
True hand finishing is extremely rare and is not only time consuming, but also requires years of training and experience on the part of the watchmaker. Greubel Forsey watches embody the entire vocabulary of high-end classic Swiss watchmaking finishing techniques. Both the plywood and bridge plates have fully beveled and polished edges, and all steel parts are polished to a mirror-like finish – primarily using a technique called “black polish” because the polished surface appears a uniform black, uniform color depending on the angle. White or uniform gray light.
The level of finish typical of a Greubel Forsey watch is obvious even to the untrained eye, and it extends to every part of the watch. Screws may seem like mundane components, but the screws in Greubel Forsey watches are themselves miniature works of art. Greubel Forsey steel screws have polished tops, polished sides, polished grooves, and the grooves and screw heads are also beveled and polished. Some of the screws are individually heat-treated to a cornflower blue color that contrasts with the polished steel components and brushed movement plate. This level of hand-finishing is a living expression of true luxury, where no expense is spared and no time is spared. It does take time – Stephen Forsey told WatchBox’s Tim Mosso at Dubai Watch Week 2019 that a typical Greubel Forsey watch at that time in the company’s history (Greubel Forsey) Hand polishing of a watch takes an average of four and a half months of work. Regarding Greubel Forsey’s movement architecture, Mosso said: “Most watches are made from the outside in order to create a unique container and then encapsulate a range of movements to create a model collection. Montres Journe, H. Moser & Most of the watches from independent brands like Cie. and Voutilainen are made this way. Greubel Forsey takes the opposite approach and makes its watches from the inside out.
“Gauder’s architectural rules. Many brands are constantly polishing, but Golper and Fosse delve into this mechanism, giving it an architectural quality. There is depth, layering and contrast in every movement. Even Philippe Dufour and Rexhep Rexhepi, etc. The company’s superb movement finishes also failed to overcome the packaging limitations of classic thin dress watches, which Mr. Greubel and Forsey didn’t care about.”
One final point – the movement finishing style of Greubel Forsey watches represents the tradition of the two founders. While there are many elements of the Swiss veneer style, there are also many elements from the classic British veneer style, which makes extensive use of frosted gold-plated movement plates, contrasting with blued steel screws. The jewel-like brilliance of Swiss style combined with the cool dignity of British style is another feature that sets Greubel Forsey cheap watches apart.
Inventions and Models
The Double Tourbillon 30° is just the first in a series of watches that are both major technical achievements and a platform to showcase Greubel Forsey’s self-proclaimed mission of “a living museum of hand-finished traditional movements.” Greubel Forsey watches are distinguished from each other by technical characteristics at the most basic level. The company has launched various watch collections over the years that reflect their creation of various watchmaking mechanisms throughout history. There are few direct precedents in watchmaking. Each of the basic inventions claimed by Greubel Forsey can be found in many more actual watch models.
Double tourbillon 30°
The first invention was the Double Tourbillon 30°, which is probably the most iconic and well-known invention. As we said, the technical purpose of this invention was to try to transform the tourbillon, which was originally designed for pocket watches (and for good reason; in Breguet’s time, except in rare cases of bracelet-style watches, watches were not exist. Watches are made for women). The balance wheel of the Double Tourbillon is tilted 30° away from the horizontal axis, and the inner and outer frames rotate for two cycles. Although it is not the first tourbillon for watches, it is the first tourbillon designed specifically for the physical environment of a watch. In addition to the first Double Tourbillon 30°, one of the most memorable versions is the Double Tourbillon 30° technology, which introduced Greubel Forsey’s signature architectural approach to movement design.
Four tourbillons
The second invention was the quadruple tourbillon. As the British say, the Quadruple Tourbillon is exactly what it sounds like – two double tourbillon 30° systems in the same watch. The principles behind the Quadruple Tourbillon are exactly the same as those behind the Double Tourbillon 30°, but the quest to gain every possible advantage over the effects of gravity on precision reaches even a more narrowly fanatical level. The two double tourbillon systems further enhance the average effect of the original double tourbillon system. To gain further advantages, one of the two double tourbillons in the quadruple tourbillon is inverted, so that the balance wheel is not only offset from the horizontal plane of the watch of, but also from each other. The rates of the two tourbillon systems are averaged via a differential mechanism to produce a more stable rate than either system alone.
And if you’re looking for a Greubel Forsey watch that both represents a further evolution of the wristwatch tourbillon and is a powerful expression of Greubel Forsey’s aesthetic vision, then you One could hardly find a better choice than Invention No. 2, which showcases a quadruple tourbillon. The tourbillon appears in its most striking form, or the more visually stunning Quadruple Tourbillon GMT, with a system of two double tourbillons and a miniature globe that rotates every 24 hours.
Tourbillon 24 seconds
The third invention is the 24-second tourbillon. If the history of watchmaking has taught us anything, it’s that there’s more than one way to skin a cat, and while we now think of mechanical timepieces as inherently tradition-bound and conservative, its history was really only limited to necessity. Only the next step is conservative. In order to retain key underlying technologies – for example, hundreds of different escapements may have been tried over the past five centuries. The same goes for the 24-second tourbillon.
The Double and Quadruple Tourbillons are experiments in rotating a regulating system in the widest possible range of positions, in order to avoid the effects of the most extreme (completely flat or completely vertical) positions. The 24-second tourbillon, on the other hand, is mechanically a much simpler system and probably employs a more straightforward approach. The Double and Quad Tourbillon mechanisms use highly complex nested tourbillon cages and (quadruple tourbillon) differential systems, while the Tourbillon 24 Seconds uses a single tourbillon that is tilted 25° but rotates at very high speeds. Fast, the tourbillon makes one revolution every 24 seconds. While this solution is quite different from double and quadruple tourbillons, the basic principle is the same – only in this case the tourbillon spins so fast that it spends a lot of time in any extreme position The chance is basically zero.
Balanced spiral binom
The fourth invention is Balancier Spiral Binôme. As far as I know, this is an invention that has never been used in an actual production watch (from Greubel Forsey or anyone else). Greubel Forsey explains: “Balancier Spiral Balancier Spiral Binôme, our fourth fundamental invention. In order to improve the interaction between the balance wheel and the balance spring, we explored the use of the same material for both components. Material – a material that is not affected by temperature changes and is non-magnetic in order to take advantage of its physical properties to achieve balance wheels and balance springs.”
equal difference
The fifth invention is the Différentiel d’Égalité. The Différentiel d’Égalité solved a different problem than previous inventions, which aimed to reduce the effect of gravity on the accuracy of a watch. The problem is one of energy transfer to the balance. All watches are powered by a mainspring, a coiled spring whose coils tighten when you wind the watch and power a gear train when the mainspring winds up. The problem is that the mainspring tends to provide too much power at full wind and not enough when it reaches the end of its power reserve. This problem can be solved by adding a mechanism called a pendulum, which is essentially another smaller mainspring placed in the gear train and wound periodically by the mainspring.
Because the pendulum rewinds frequently – FP Journe uses a one-second pendulum, although the interval can be from one second to several minutes – it provides a more stable supply of energy. However, power still spikes every time the pendulum is wound, and to solve this problem Greubel Forsey added a differential system to its one-second pendulum to average out the peaks and valleys in energy delivery. The Différentiel d’Égalité was included in a replica watches for sale of the same name released in 2018.
double balancer
The sixth invention is the double balancer. The double balancer represents another technical solution to the problem that the tourbillon was designed to solve, but with a slightly different strategy. The Double Balancier is not a tourbillon watch or a double tourbillon watch, but it does have two balance wheels – both tilted at a 30° angle. They are also angled in different directions, and the idea is that if one scale happens to be closer to one of the extreme positions (completely horizontal or completely vertical), then its change in rate will be somewhat canceled out by the other balance. The two balances are connected by a differential mechanism which produces a single rate, the average of the two balances, this system can be seen in the double balance convex.
mechanical computer
The seventh invention is Le Computeur Mechanique, which can be seen in the QP à Équation – a perpetual calendar watch with equation of time indication. The watch also features a tourbillon tilted at a 25-degree angle. “Computer Mechanism” is a stacked gear system that encodes perpetual calendar information, including the length of each month, as well as leap year changes in the length of February (during which February has an extra day) Added – February 29 ). The Equation of Time is an unusual horological complication that shows the difference between mean solar time and apparent solar time. The simplest way to understand this complication is that it shows the difference between the time you see on a sundial and the time you see on a clock – the length of the day shown on the sundial varies slightly over the course of the year. The difference is due to changes in the Earth’s orbit and the tilt of the Earth’s axis, while the clock shows the average length of a day (24 hours per day).
The Computeur Mechanique drives a system of sapphire discs that display the equation of time and the month, and the watch also features a four-digit year display – both located on the back of the movement.
Grande Sonnerie Minute Repeater
Although it is not one of the basic horological inventions, it is worth noting that Greubel Forsey also produced a chiming watch – the Greubel Forsey Grande Sonnerie Minute Repeater. The Grande Sonnerie minute repeater can chime the hours, quarter-hours and minutes “on demand” (the minute repeater part of the complication), but it can also chime the hours and quarter-hours “by the way”, like a chiming clock. franck muller replica watches
Other important models
It’s a bit odd to choose an “important” model from Greubel Forsey since production was so low. At any given time in its history, the company only produced one to two hundred watches, which means each employee had roughly one to two watches—an extremely unique number no matter how you slice it. However, there are certain models that will stand out to any collector or connoisseur, and Tim Mosso, Media Director at WatchBox, has been able to handle and experience more Greubel Forsey models than anyone outside of the company. Here, he shares his favorite watches and his thoughts on their importance to the company’s history and collectors – sure, there are classic models like the Double Tourbillon 30°, but there are also lesser-known models , such as the Art Piece 1, a watch that showcases an almost microscopic sculpture (a microscope is built into the case) and the Hand Made 1, an extremely rare watch made using only traditional handmade watchmaking tools.
Double tourbillon 30°
“The original Greubel Forsey Double Tourbillon 30° from 2004 was a landmark watch and remains the brand’s most iconic watch to this day. It embodies the uniqueness of Greubel Forsey watchmaking The DT 30° is not just another giant tourbillon that has been lost in the decade, it is a serious attempt to reconnect with the chronological intentions of Abraham-Louis Breguet’s vision of the late eighteenth century. It won the 2011 International Timekeeping Competition in a rare showdown of timing accuracy in an industry that generally avoids rigorous accuracy-oriented testing.
What’s more, DT 30°’s innovations are infused with expert attention to decoration. Pocket watch inspiration is evident in gold-plated bridges, traditional materials such as maillechort and oversized blued steel screws. Similar innovative watches by the likes of George Daniels and François-Paul Journe “before Montres” often lacked basic attention to decorative finishing. But Greubel Forsey claims that for the right price, you can have it all.
In 2007, my favorite version of the double tourbillon 30° “Secret” was released. While identical in size and technology to the 2004 original, the DT 30° Secret harkens back to an era when discretion was a selling point and classic brands like Patek Philippe and Jaeger-LeCoultre hid their tourbillons beneath solid dials. In some ways, the invisible Greubel Forsey tourbillon is as antithetical to the brand’s ethos as the Panerai with its tourbillon is antithetical to a brand born of battle. But the Solid Dial DT 30° reigns supreme in my mind, and I’m in good company; Stephen Forsey tells me that The Secret is one of Robert’s best designs. “
DT 30° Secret
“2007 saw the launch of my favorite 30° version of the double tourbillon, the ‘Secret’. Although identical in size and technology to the 2004 original, the DT 30° Secret harkens back to the time when discretion was a selling point, a timepiece by Patek Philippe and Jaeger-LeCoultre. In an era when classic brands such as Home would hide their tourbillons under solid dials, the invisible Greubel Forsey tourbillon is in some ways as antithetical to the spirit of the brand as the Panerai with its tourbillon was from this battle. It’s the opposite of a brand. But the Solid Dial DT 30° holds sway in my mind, and I’m in good company; Stephen Fossey told me that The Secret is one of Robert’s best designs.”
Tourbillon 24 seconds
“The 2008 Tourbillon 24 Secondes proves that fewer tourbillons don’t mean less appeal. Part of a new generation of “fast” tourbillon watches, the dynamic 24 Secondes is a Greubel Forsey brand and a landmark watch for the entire watch industry. Its frenetic 24-second cycle returns with its visually streamlined Vision 24 Seconds, which won the 2015 GPHG Golden Needle Award.” mb&f watches for sale
Four tourbillons
“As if in a riposte to its own 24 Seconds Single Tourbillon, Greubel Forsey’s next big release was the Quad Tourbillon in 2009. It was a festival of excess. An icon of the late 2000s, it was both iconic and Ironic. As a timepiece, the “Quad” would be an unparalleled achievement. As a watch, the best thing about a quadruple tourbillon is that it is more practical than wearing four separate tourbillon watches.
The days of such watches are over In the post-Lehman crisis of early 2009, this insanely multi-minded flagship became a kind of 1959 Cadillac for the wrist. Each is the ultimate embodiment of an era, and each has just passed the peak of that era. The Quad’s 531-component movement, composed of four tourbillon regulators linked by differentials at an average rate, is both an example of something ahead of its time and a baroque solution to minimizing the effect of gravity on a mechanical watch. Undeterred by changing economic trends or tastes, Greubel Forsey stayed true to the philosophy and reintroduced the GMT feature in 2019. “
Tourbillon GMT
“Greubel Forsey continues to evolve as a brand, although it has clung to the monumental design styles of the 2000s longer than most. In 2011, the world was still plagued by sluggish business, but the Tourbillon GMT anticipated better times coming soon.
Nothing heralds a global economic recovery more than a watch that holds its own globe.
Made of dazzling titanium, the Gooper Globe also doubles as a world time display for owners with a strong enough visual imagination, projecting meridians onto the marble globe. The more intuitive world time display on the case back makes reading and setting more convenient. For those who dream of black and white, the traditional second time zone takes on yeoman duties on the dial side. “
Artwork 1
“2013’s Art Piece 1 was a departure from horological ‘Maestro’ conventions; the watch almost amounted to a satire of the Arts and Crafts genre. Rather than showcasing traditional techniques such as gem setting or enamelling, the Art Piece 1 acted as a British Willa Miniature showcase of a miniature gold sculpture of a barque by Willard Wigan Greubel Forsey has a knack for incorporating frankly bizarre ideas into products launched without an obvious market or customer. It takes courage.
This is a polarized watch. “Nanosculptures” and integrated microscopes have no natural connection to horology, and the AP1 is really just a gimmick. But I subscribe to the notion that two works of art by a master artist are better than one, and I like the implicit irony of a giant watch containing a small sailboat.
While some watch collectors were skeptical of the Art Piece 1, it was probably the watch that brought the purest joy to the non-collectors in my marketing and finance departments. Without being a watch snob, the AP1 and its miniature gallery were a hit. ” u-boat replica watches
Signature 1
“Signature 1 2016 is a milestone for Greubel Forsey for two reasons. First, the collaboration with the company’s own Didier Cretin reflects the growing interest in giving traditional watchmaking a personal creative vision. This is Greubel Forsey’s A key quality that Foss hopes to promote through the “Naissance d’une Montre” program sponsored by Greubel, Foss and other watch industry giants during the same period.
Secondly, the simplicity of the time-only Signature 1 made it the vanguard of a new generation of more restrained GF products introduced in the late 2010s. After the Signature 1, Greubel Forsey launched a series of watches with smaller cases and less complexity; in 2022, this trend continues. 2017’s Balancier, 2019’s Balancier Contemporain and 2020’s Balancier S sports watch can all trace their roots to the Signature 1’s groundbreaking simplicity. “
handmade1
“The Greubel Forsey 2019 Hand Made 1 is a thought-provoking watch; it may unsettle collectors who believe that six- and seven-figure price tags ensure handmade status. Granted, Greubel Forsey’s Manual labor is more common than with most watch brands. But the company still relies extensively on automation technologies including CNC, spark erosion and LIGA to achieve its production target of 150-200 watches worth $1 million by 2022. 1 Departs from La Chaux-de-Fonds two to three times a year.
My experience with this has been enlightening. Many of its subassemblies are assembled from parts rather than machined as units. There are many seams where the tourbillon cage joins. This is the result of craftsmen working exclusively with hand tools.
While the gemstones and sapphires are sourced from suppliers, nearly every other component on the HM1 was made and finished in a claimed 6,000 man-hours – a claim I believe. The HM1’s case, bridges and tourbillon are not as refined as Greubel Forsey watches half the price. This watch will never be a profit center for the brand, and the reason I love the Hand Made 1 is simply that it exists. “
The future of Greubel Forsey
As of this writing, Greubel Forsey CEO Antonio Calce said the company will pursue a dual strategy going forward. It will continue to produce unlimited, affordable superwatches such as quadruple tourbillons, but the company will also produce watches that, while less mechanically complex, still have the same uncompromising level of quality. ulysse nardin replica watches
If we take the Balancier line of watches as an example, the basic appeal of Greubel Forsey watches will remain the same as the company grows. This appeal is and will always be based on a celebration of the movement as a technical and visual masterpiece. Tim Mosso said it best: “One sees a lot of small movements; one can get lost in Greubel Forsey.”
